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All content by Mason Stempel
With Coppola’s ‘Priscilla,’ What Happens in Vegas Doesn’t Stay in Vegas
By
Mason Stempel
‘The Fall of the House of Usher’ Rhymes Horror with Family Drama
By
Mason Stempel
‘Blonde’: A Grotesque Perversion of Marilyn Monroe’s Story and Struggles
By
Mason Stempel
College Across the Pond
By
Mason Stempel
‘The Lost City’ Proves the Enduring Stardom of Sandra Bullock
By
Mason Stempel
‘Bridgerton’ Season Two is the “Bane of My Existence and the Object of All My Desires”
By
Mason Stempel
Thinking Thrifty: How Secondhand Stores Contribute to Georgetown Student Style
By
Adriana Guzman
,
Mason Leath
,
Mason Stempel
, and
Sofia Wills
‘This Is the Story of my Life’: AASA Presents Cultural Fashion Show
By
Mason Stempel
and
Sofia Wills
‘Tall Girl 2’ Is The Worst Rom-Com Film Since ‘Tall Girl’
By
Mason Stempel
‘Last Night in Soho’ Offers a Bloody Good Time In Spite of Tropes, Confusing Twists
By
Mason Stempel
Wellfound Foods Machine in Leavey Center Vends Nutritious, Expensive Prepackaged Meals
By
Mason Stempel
Marvel’s ‘Shang-Chi’ Satisfies With Classically Choreographed Battles, Features Dialogue in Mandarin
By
Mason Stempel
Georgetown, Beyond, Back Again: 1st-Year to Senior Dorm Style Evolution
By
Isabella Romero
and
Mason Stempel
Nostalgia Charms, Matured Vocals Impress on ‘Fearless (Taylor’s Version)’
By
Mason Stempel
Georgetown Students Find Success Across Social Media Platforms, Link Learning With Likes
By
Ava Culoso
and
Mason Stempel
‘The Haunting of Bly Manor’ Splendidly Tricks With Spooky Haunts, Treats With Emotional Depth
By
Mason Stempel
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