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Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

‘The Long Walk’ is the Rare Film Adaptation That Exceeds Its Source Material

‘The Long Walk’ is the Rare Film Adaptation That Exceeds Its Source Material

By Jasmine Criqui, Human Resources Director September 11, 2025

Fifty competitors. No finish line. Walk until you die. Such is the premise of “The Long Walk,” directed by Francis Lawrence and based on the Stephen King novel of the same name. Though “The...

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I Don’t Like That I Don’t Like ‘Weapons’

By Caroline Woodward, Hoya Staff Writer September 3, 2025

At 2:17 a.m., all but one of 18 students from an elementary school class disappear, running off into the pitch black of night with their arms outstretched as if playing make-believe, never to be seen...

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Childhood Fantasy Meets the Horrors of Capitalism in the Delightfully Dumb ‘Death of a Unicorn’

By Caroline Woodward, Guide Senior Editor March 25, 2025

Imagine a unicorn — what comes to mind? Perhaps a pure white beast of medieval legend or a shiny pink pony-like creature one might see on a child’s lunchbox. A less obvious interpretation of the...

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‘Companion’: Romance and Robots Gone Rogue

By Tanvi Gorripati, Deputy Guide Editor February 6, 2025

If you go into the theater expecting to watch a typical horror movie, like I did, you may find yourself either pleasantly surprised or slightly disappointed by what unfolds on the screen. Drew Hancock’s...

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‘Presence’ Plays With Perspective But Flops With Fear Factor

By Isabelle Cialone, Guide Deputy Editor February 5, 2025

Although advertised as a haunting new addition to the horror genre, the scariest part of “Presence” might be the incestuous vibe of the relationship between Tyler Payne (Eddy Maday) and his mother,...

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‘Nosferatu’: Why You Should Listen To Your Wife And Not Travel for Business

By Mauro Mazzariello, Hoya Staff Writer December 4, 2024

The story of Count Dracula has been told countless times on the silver screen: a young Jonathan Harker unwittingly becomes enveloped in the schemes of a bloodthirsty vampire and races to save his wife...

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Hidden, Silenced Anguish Haunts ‘Small Things Like These’

By Grace Ko, Hoya Staff Writer November 14, 2024

There’s an undeniable, otherworldly power to Cillian Murphy’s eyes.  Tim Mielants’ “Small Things Like These” takes full advantage of Murphy’s magnetic gaze to reveal veiled suffering...

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“Smile 2” Adds a New, Terrifying Layer to the Franchise

By Francis Rienzo, Hoya Staff Writer November 14, 2024

This article contains spoilers. A smile, typically a symbol of joy and comfort, is meant to soothe and convey happiness. And yet, the horror genre often transforms such positive symbols into chilling...

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‘Heretic’: A Claustrophobic Questioning of Religious Conviction

By Isabelle Cialone, Hoya Staff Writer November 13, 2024

Georgetown University students should be familiar with “The Problem of God” as a concept, but if your THEO-1000 class didn’t quite quench your ontological questioning, don’t fret! “Heretic”...

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‘The Substance’ May Lack Substance, But It Succeeds in Diagnosing Society’s Nauseating Addiction to Beauty Standards

By Isabelle Cialone, Hoya Staff Writer October 30, 2024

To what lengths would you go to feel the glow of societal validation? Coralie Fargeat’s “The Substance” believes there is no limit to our desperation for approval and succeeds in the public forum,...

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‘Speak No Evil’: Stranger Danger, Why You Should Not Vacation in Remote Locations

By Mauro Mazzariello, Special to the Hoya October 2, 2024

We’ve been told since we were little not to get into cars with strangers, to go nowhere with someone you don’t know. It’s a good rule of thumb to follow, but what if the stranger in question...

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Suspenseful, Fun, Witty, ‘Abigail’ Is a Blast From Start to Finish

By Ethan Hill, Deputy Guide Editor April 24, 2024

When I entered the movie theater to watch “Abigail,” I was expecting a mediocre horror movie that, while fun, I would forget as soon as I left the theater. Oh, how wrong I was. “Abigail”...

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