
‘The Long Walk’ is the Rare Film Adaptation That Exceeds Its Source Material
By Jasmine Criqui, Human Resources Director
• September 11, 2025

I Don’t Like That I Don’t Like ‘Weapons’
By Caroline Woodward, Hoya Staff Writer
• September 3, 2025

Childhood Fantasy Meets the Horrors of Capitalism in the Delightfully Dumb ‘Death of a Unicorn’
By Caroline Woodward, Guide Senior Editor
• March 25, 2025

‘Companion’: Romance and Robots Gone Rogue
By Tanvi Gorripati, Deputy Guide Editor
• February 6, 2025

‘Presence’ Plays With Perspective But Flops With Fear Factor
By Isabelle Cialone, Guide Deputy Editor
• February 5, 2025

‘Nosferatu’: Why You Should Listen To Your Wife And Not Travel for Business
By Mauro Mazzariello, Hoya Staff Writer
• December 4, 2024

Hidden, Silenced Anguish Haunts ‘Small Things Like These’
By Grace Ko, Hoya Staff Writer
• November 14, 2024

“Smile 2” Adds a New, Terrifying Layer to the Franchise
By Francis Rienzo, Hoya Staff Writer
• November 14, 2024

‘Heretic’: A Claustrophobic Questioning of Religious Conviction
By Isabelle Cialone, Hoya Staff Writer
• November 13, 2024

‘The Substance’ May Lack Substance, But It Succeeds in Diagnosing Society’s Nauseating Addiction to Beauty Standards
By Isabelle Cialone, Hoya Staff Writer
• October 30, 2024

‘Speak No Evil’: Stranger Danger, Why You Should Not Vacation in Remote Locations
By Mauro Mazzariello, Special to the Hoya
• October 2, 2024

Suspenseful, Fun, Witty, ‘Abigail’ Is a Blast From Start to Finish
By Ethan Hill, Deputy Guide Editor
• April 24, 2024
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