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All content by Annah Otis
‘Emma.’ Brings Laughs, Love from Jane Austen’s Classic Novel to Silver Screen
By
Annah Otis
‘Merry Wives’ at the Folger Theatre Delights with Talented Acting, Engaging Humor
By
Annah Otis
Director Greta Gerwig Offers an Engaging, Well-Cast Rendition of ‘Little Women’
By
Annah Otis
Artists and Museums Embrace Sustainability To Preserve the Past and the Future
By
Annah Otis
‘In Mid-Sentence’ Captures Iconic Speeches in Still Photographs
By
Annah Otis
‘The Goldfinch’ Drags on With Mishandled Plot, Poor Pacing
By
Annah Otis
‘Manifesto: Art x Agency’ Centers Artists Addressing Politics
By
Annah Otis
Oscar-Nominated Shorts Tackle Global Social Issues
By
Annah Otis
‘The Peacock Room Revealed’ Showcases Whistler’s Expressive Style
By
Annah Otis
‘Less’ Inspires With Modern Themes, Poetic Writing
By
Annah Otis
Phantoms, Gracenotes and Chimes Dominate the DC A Cappella Festival’s First Weekend
By
Annah Otis
Competing Confectioneries Define Georgetown
By
Annah Otis
and
Arden Fitzpatrick
‘Smallfoot’ Brings Big Heart to the Silver Screen
By
Annah Otis
Movie Review: ‘Life Itself’
By
Guide Editor
and
Annah Otis
‘What’s Real to You’ at the Zenith Gallery Explores Realism and the Human Form
By
Annah Otis
Movie Review: ‘Pandas’ at the National Air and Space Museum
By
Annah Otis
GU Arts Week Stresses Need for Creative Resources
By
Eliza Phillips
and
Annah Otis
Hirshhorn Museum Welcomes the Public Into Sleek New Lobby Space
By
Annah Otis
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