Staff Names: Luke McMahan - The Hoya

All content by Luke McMahan

Philm and Filosophy: ‘The Sacrifice’

By Luke McMahan, Guide Columnist

‘Soleil O’: Med Hondo’s Cinematic Manifestation of Fanon’s Decolonial Struggle

By Luke McMahan, Guide Columnist

On Pessimism: ‘True Detective’ and ‘Taste of Cherry’

By Luke McMahan, Hoya Columnist

PHILM AND FILOSOPHY | The Slippery Concept of “Anti-War” Filmmaking

By Luke McMahan, Guide Columnist

PHILM AND FILOSOPHY | Cinema Verite and Ecstatic Truth

By Luke McMahan

PHILM AND FILOSOPHY | The History of French Marxist Cinema

By Luke McMahan

‘Jeanne Dielman’: The Seminal Feminist Film?

By Luke McMahan

The Bizarre Story, Enduring Influence of ‘Hausu’

By Luke McMahan

PHILM AND FILOSOPHY | The Fundamental Misunderstandings of ‘Literally Me’ Cinema

By Luke McMahan

PHILM AND FILOSOPHY | ‘Barbie,’ ‘Everything Everywhere All at Once’ and the Problem of Postmodern Endings

By Luke McMahan

‘Oppenheimer’: Christopher Nolan’s Technical and Thematic Masterwork

By Luke McMahan

‘John Wick: Chapter 4’ Revels in Brilliantly Crafted Action Sequences

By Luke McMahan

Sight and Sound’s New Top 100 Films List Explores Fresh Faces in Film

By Luke McMahan

The Brutal Realism and Enduring Impact of ‘The Wire,’ 20 Years On

By Luke McMahan

‘Better Call Saul’ Ends The ‘Breaking Bad’ Saga In Exquisite Fashion

By Luke McMahan

‘Euphoria’ Season 2 is Sam Levinson’s Masterpiece, for the Worst

By Luke McMahan

‘No Time To Die’ Is a Bitter End to Daniel Craig’s Stint as 007

By Luke McMahan

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