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Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

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Concert Review: The Drums at the Black Cat

By Emily Greffenius December 5, 2017

The Drums shared an intimate experience, rather than a basic performance, with its audience at its Nov. 16 gig at the Black Cat. At the casual and well-worn venue, there was little space between...

COURTESY DIRTY HIT

Concert Review: The Japanese House

By Jillian Aicher April 7, 2017

With her dark, synthesized vocals and often cynical lyrics, Amber Blain, frontwoman and mastermind behind indie-pop act The Japanese House, can make you forget she is 21 years old. At Washington, D.C.’s...

SARAH DIETER/THE HOYA

Concert Review: Regina Spektor

By Sarah Dieter March 31, 2017

Some critics say that gone are the days when musicians created their own music, dreamed up their own lyrics and provided their own accompaniment. Songs are now mainly produced for mass culture, with...

FESTIVAL GNAOUA ET MUSIQUE DU MONDE

Festival Explores Gnaoua Identity

By Jose Villalobos March 31, 2017

The Gnaoua Festival Tour 2017 stopped in D.C. on the night of Mar. 18 for a much-awaited performance at the Kennedy Center for the Performing Arts. Before the show, Hicham El Kebbaj, the artistic coordinator...

MIGOS

Concert Review: Migos

By Liam O’Donnell March 24, 2017

“Migos is bigger than the Beatles.” What started as a satirical comparison has become a near serious debate. Sparked by the inescapable single “Bad and Boujee,” which topped the Billboard charts...

LIVE NATION

Concert Review: “Game of Thrones” Live Concert Experience

By Matthew Trunko March 24, 2017

A sudden thrust of a chorus of violins began the concert with the iconic opening theme of “Game of Thrones.” Smoke billowed from center stage as the Iron Throne rose from beneath. Giant screens...

RELIEF IN ABSTRACT

Concert Review: XXYYXX

By Mac Dressman February 24, 2017

Many old-school DJs lament the lack of skill and creativity of their newer counterparts. As technology has advanced, mixing and beat-matching has become easier than ever, meaning that the bar for entry...

Concert Review: Spreading the Love at Grouplove

Concert Review: Spreading the Love at Grouplove

By Jillian Aicher November 18, 2016

On Nov. 9, an uneasy fog had settled over Washington, D.C. Words could not seem to encapsulate the depths of what many were feeling following one of the most contentious presidential elections in history. That...

KING Aims for R&B Royalty

By Dani Guerrero October 28, 2016

Supported by a mid-tempo beat, the balmy trio of KING’s voices cascaded over ethereal synth waves as a sweetly repeated “goodbye” grew in intensity. Setting the tone of the concert, the mesmerizing...

“Nostalgic for the Present,” Sia’s Hymn to Modernity

By Kathryn Baker and technology October 28, 2016

On Oct. 19, Australian singer-songwriter Sia brought “Nostalgic for the Present,”  her first-ever arena concert tour, to the Verizon Center. Blending powerful renditions of tracks from her newest...

JOHN MILLER/ THE HOYA
Father John Misty  played a diverse set to a sold-out crowd at Washington's historic Lincoln Theater.

Concert Review: Father John Misty

By John Miller May 4, 2016

Led by singer-songwriter Josh Tillman, Indie-folk group Father John Misty played the second and final night of its sold-out stay at U Street’s Lincoln Theater on April 26. From the start, it was...

					               JOHN MILLER/THE HOYA

John Mayer joined the Grateful Dead offshoot, Dead and Company, for a performance at Verizon Center last Friday night.

Concert Review: Dead & Company

By John Miller November 13, 2015

★★★☆☆ On Friday night, the audience at the Verizon Center witnessed a marriage of blues virtuosity and jam-band perfection as John Mayer took the stage alongside former Grateful Dead members...

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