
‘Chromakopia: The World Tour’: the New Epitome of Live, High-Energy Performances
By Evan Bournazian, Hoya Staff Writer
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‘$ome $exy $ongs 4 U’: Drake’s Comeback Falls Short in Awkward Union With PARTYNEXTDOOR
By Evan Bournaizan, Hoya Staff Writer
• February 26, 2025

Obviously, He Played ‘Not Like Us’
By Evan Bournazian, Hoya Staff Writer
• February 13, 2025

‘MIXTAPE PLUTO’ Does Not Shine as Bright as Future’s Already Scorching Run
By Evan Bournazian, Special to the Hoya
• October 2, 2024

The Big Three and the Rap Civil War: Is the Beef Really ‘Like That?’
By Ethan Hill, Hoya Staff Writer
• April 10, 2024
THE SYMPHONY OF SOCIETY | A Deep Dive into the Nicki Minaj and Megan Thee Stallion Controversy
By Jin Xi Chen, Guide Columnist
• April 10, 2024

With ‘Sundial,’ Time for an Explosive Return
By Oliver Ni
• August 31, 2023
Future and Juice WRLD Lack Chemistry in ‘WRLD on Drugs’
By Allan Navarro
• October 30, 2018

BROCKHAMPTON Returns With New Aesthetic
By Allan Navarro
• October 18, 2018

ALBUM REVIEW: ‘Kamikaze’
By Charlotte Lindsay
• September 9, 2018

Album Review: ‘KOD’
By Gabrielle Irwin
• May 22, 2018
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