‘My Own Private Idaho’ is a Heartbreaking Modern Shakespearean Tragedy
By Grace Ko, Hoya Staff Writer
• October 18, 2024
Jeff Daniels, Keanu Reeves Disappoint in Hostage Thriller ‘Speed’
By Mauro Mazzariello, Hoya Staff Writer
• October 18, 2024

Wick-edly Good: Ranking Every John Wick Movie
By Ethan Hill, Deputy Guide Editor
• October 18, 2024
Sixty Years of Keanu Reeves
By Emily Griffith, Hoya Staff Writer
• October 18, 2024

Who’s Afraid of a Little AI? Revisiting ‘The Matrix’ in 2024
By Nick Williams, Hoya Staff Writer
• October 16, 2024

‘Bill & Ted’s Excellent Adventure’ is Most Excellent and Certainly Not Bogus
By Mauro Mazzariello, Hoya Staff Writer
• October 16, 2024

‘SWEAT’ Tour: Charli XCX, Troye Sivan Bring the Heat to Baltimore
By Caroline Woodward, Guide Deputy Editor
• October 2, 2024

From Jazz to Jesters: Lady Gaga Releases ‘Harlequin,’ Companion Album to Upcoming Film
By Nick Williams, Special to the Hoya
• October 2, 2024

On Your Radar: Fall Fever
By Caitlin McBride, Hoya Staff Writer
• October 2, 2024
SPILLING THE CHAI | Monkey Masti: The Impossibility (and Importance) of Dev Patel’s ‘Monkey Man’
By Anandita Agarwal, Columnist
• October 2, 2024

‘Nobody Wants This’ Charms and Stumbles Its Way to Love
By Grace Ko, Hoya Staff Writer
• October 2, 2024

‘MIXTAPE PLUTO’ Does Not Shine as Bright as Future’s Already Scorching Run
By Evan Bournazian, Special to the Hoya
• October 2, 2024
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