
Repackaging A Classic, ‘Alien: Romulus’ Executes the Alien Formula With a Fresh Coat of Paint
By Ethan Hill, Deputy Guide Editor
• September 4, 2024

‘Deadpool & Wolverine’: A Clash of Comebacks and Claws
By Tanvi Gorripati, Deputy Guide Editor
• September 4, 2024
Navigating Lorde’s ‘Melodrama’ Through the Seasons
By Clayton Kincade, Contributing Editor
• September 4, 2024
‘Love Is Blind: UK’ Reveals Cultural Differences When Compared To The Original
By Amber Cherry, Senior Guide Editor
• September 4, 2024

‘Dìdi’: A Nostalgic Y2K Trip Into the Messy, Joyful Years of Adolescence
By Grace Ko, Hoya Staff Writer
• September 4, 2024

“The Greatest Hits” Reminds Us Not to Feel Guilty to Love Again
By Saeed Jude Samra, Hoya Staff Writer
• April 24, 2024

Suspenseful, Fun, Witty, ‘Abigail’ Is a Blast From Start to Finish
By Ethan Hill, Deputy Guide Editor
• April 24, 2024

Yes, and…Goodbye: GU Improv Sends Off Their Seniors with an Impressive April Show
By Caroline Blakeman, Hoya Staff Writer
• April 24, 2024

Indie-Rock Band Flipturn Flipturned It Up at the 9:30 Club
By Amber Cherry, Senior Guide Editor
• April 24, 2024

On Your Radar: Rest and Relaxation
By Elizabethe Bogrette, Senior Guide Editor
• April 24, 2024

‘The Tortured Poets Department’: A Capstone Mosaic of Taylor Swift
By Lauren Doherty, Hoya Staff Writer
• April 24, 2024

‘Challengers’ Plays the Best Match of Tennis
By Clayton Kincade, Hoya Contributing Editor
• April 24, 2024
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