
‘Sweeney Todd: The Demon Barber of Fleet Street’ Bites and Cackles With Joyous Ferality
By Grace Ko, Deputy Guide Editor
• April 10, 2025

Mask and Bauble’s One-Acts Festival Highlights Hoyas’ Theatrical Genius
By Isabelle Cialone, Guide Deputy Editor
• February 20, 2025

Flooding, Gas Leak Impact Student Activities
By Ruth Abramovitz, GUSA Desk Editor
• January 24, 2025

Taking a Spellbinding Journey ‘Into the Woods’
By Catherine Meyer
• April 20, 2023

Georgetown Theater: Strong Community Builds Strong Shows
By Emily Smith
• December 1, 2022

Huelga! Tells Story of Latinx Advocates
By Adora Zheng
• April 8, 2022

VIEWPOINT: Experience Creative Collaboration
By Harry Rose
• May 12, 2020

Mask and Bauble Offers Modern Spin to ‘Hedda Gabler’
By Haley Resnick
• February 14, 2020

Campus Theater Groups Foster Creativity, Reflection
By Timothy McNulty
• May 15, 2019

Kick Off Your Sunday Shoes at Mask and Bauble’s ‘Footloose’
By Meghan DeCourcey
• April 13, 2018

Theater Review: ‘Mr. Burns, a Post-Electric Play’
By Julia Yaeger
• January 23, 2018

Theater Sparks Dialogue on and off Stage
By Jane Mikus
• November 17, 2017
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