Campus Creatives: Singer-Songwriter Lucia On Introspection, Political Responsibility, Self-Doubt in Music By Isabelle Cialone, Senior Guide Editor
No Lost Generation Hosts Beautiful, Poignant Exhibition of Afghan Refugee Artists’ Work By Isabelle Cialone, Senior Guide Editor
Campus Creatives: Author Rabih Alameddine On Belonging, Intimacy, Obsession in Art By Isabelle Cialone, Senior Guide Editor
Eliza McLamb, m.e.n. Band Transform Bulldog Alley With Heartfelt, Moving Performances at WGTB Spring Concert By Isabelle Cialone, Senior Guide Editor
‘Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb’ Condemns the Virile Performance of Military Politics By Isabelle Cialone, Senior Guide Editor
‘How to Make a Killing’ Begs the Question: What Would You Do for the ‘Right’ Kind of Life? By Isabelle Cialone, Senior Guide Editor
Religious Fervor Takes On Moving Musicality in ‘The Testament of Ann Lee’ By Isabelle Cialone, Senior Guide Editor
‘Death in the Business of Whaling’ is a Heavy, Heartbreaking Examination of Love By Isabelle Cialone, Senior Guide Editor
‘The Secret Agent’ Is a Vibrant Humanist Exploration of People Under Dictatorship By Isabelle Cialone, Senior Guide Editor
‘Die My Love’ Disrupts Traditional Film Conventions to Paint Moving Picture of Postpartum Depression By Isabelle Cialone, Guide Deputy Editor
‘From The Pyre’ is a Fiery Follow-Up Album for The Last Dinner Party By Isabelle Cialone, Guide Deputy Editor
‘Monty Python and the Holy Grail’ Is Wholly and Absurdly Hilarious By Isabelle Cialone, Deputy Guide Editor
Labor Solidarity Concert Calls for Student-Worker Solidarity Amidst Administration’s GUTS Decision-Making By Isabelle Cialone, Deputy Guide Editor
‘Double Infinity’: Big Thief Embraces Their Same Emotional Rawness With a New Sound By Isabelle Cialone, Guide Deputy Editor
‘Forever Howlong’ is a Successful Step in a New Direction for Black Country, New Road By Isabelle Cialone, Deputy Guide Editor
‘Ghosts: A Family Tragedy’ Is a Haunting Tale of Family Duty, Deception, Devotion By Isabelle Cialone, Guide Deputy Editor
‘On Becoming a Guinea Fowl’ Weaves a Heartbreaking Tapestry of the Systemic Silencing of Survivors’ Stories By Isabelle Cialone, Guide Deputy Editor
‘Opus’ Is a Catastrophic Exploration of the Cult of Celebrity By Isabelle Cialone, Guide Deputy Editor
‘La Haine’ Paints a Poignant and Timeless Picture of Police Brutality By Isabelle Cialone, Deputy Guide Editor
‘Becoming Led Zeppelin’ Explores the Birth of the Greatest Rock ’n’ Roll Band to Ever Exist By Isabelle Cialone, Guide Deputy Editor
Mask and Bauble’s One-Acts Festival Highlights Hoyas’ Theatrical Genius By Isabelle Cialone, Guide Deputy Editor
Cherry Tree Massacre Showcases Students’ Sensational Singing Skills By Isabelle Cialone, Guide Deputy Editor
‘Presence’ Plays With Perspective But Flops With Fear Factor By Isabelle Cialone, Guide Deputy Editor
‘Mufasa: The Lion King’ Is Unnecessary, Unsatisfactory and Annoying By Isabelle Cialone, Guide Deputy Editor
‘The Brutalist:’ Mammoth of a Movie; Microcosm of Brutal Reality By Isabelle Cialone, Hoya Staff Writer
‘Heretic’: A Claustrophobic Questioning of Religious Conviction By Isabelle Cialone, Hoya Staff Writer
‘Memoir of a Snail’ Is a Gutting but Glimmeringly Hopeful Tale of Gastropods and Grief By Isabelle Cialone, Hoya Staff Writer
‘The Substance’ May Lack Substance, But It Succeeds in Diagnosing Society’s Nauseating Addiction to Beauty Standards By Isabelle Cialone, Hoya Staff Writer
Is ‘Bram Stoker’s Dracula’ Really His Bloodlusting Beast or Does Coppola Craft His Own Carnal Creature? By Isabelle Cialone, Hoya Staff Writer
