
In Sheepish Defense of the Last, Worst ‘Venom’ Movie: ‘Venom: The Last Dance’
By Jasmine Criqui, Executive Editor
• October 30, 2024

‘The Substance’ May Lack Substance, But It Succeeds in Diagnosing Society’s Nauseating Addiction to Beauty Standards
By Isabelle Cialone, Hoya Staff Writer
• October 30, 2024

‘Saturday Night’ Tells the Story of Sketchy Beginnings
By Tanvi Gorripati, Deputy Guide Editor
• October 23, 2024
Is ‘Bram Stoker’s Dracula’ Really His Bloodlusting Beast or Does Coppola Craft His Own Carnal Creature?
By Isabelle Cialone, Hoya Staff Writer
• October 18, 2024

‘Point Break’ Proves A Philosophical Surfing Film
By Caitlin McBride, Hoya Staff Writer
• October 18, 2024
‘My Own Private Idaho’ is a Heartbreaking Modern Shakespearean Tragedy
By Grace Ko, Hoya Staff Writer
• October 18, 2024
Jeff Daniels, Keanu Reeves Disappoint in Hostage Thriller ‘Speed’
By Mauro Mazzariello, Hoya Staff Writer
• October 18, 2024

Wick-edly Good: Ranking Every John Wick Movie
By Ethan Hill, Deputy Guide Editor
• October 18, 2024

Who’s Afraid of a Little AI? Revisiting ‘The Matrix’ in 2024
By Nick Williams, Hoya Staff Writer
• October 16, 2024

‘Bill & Ted’s Excellent Adventure’ is Most Excellent and Certainly Not Bogus
By Mauro Mazzariello, Hoya Staff Writer
• October 16, 2024

‘Speak No Evil’: Stranger Danger, Why You Should Not Vacation in Remote Locations
By Mauro Mazzariello, Special to the Hoya
• October 2, 2024

Joey King Is Actually a Great Actress. Why Does Netflix Keep Pushing Her Down?
By Apara Chandavarkar, Special to the Hoya
• October 2, 2024
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