
‘Monkey Man’ Puts a One of a Kind Spin on a Classic Story
By Ethan Hill, Hoya Staff Writer
• April 15, 2024

‘Love Lies Bleeding’ is Intense, Campy and Queer – Yet There’s Still Something Missing
By Caroline Woodward, Hoya Staff Writer
• April 3, 2024

Frozen in the Past: ‘Ghostbusters: Frozen Empire’ is Hollywood’s Latest Cash Grab
By Ethan Hill, Hoya Staff Writer
• April 3, 2024

‘Arthur the King’ Proves Who the Real Movie Protagonist Is: The Dog
By Elizabethe Bogrette, Hoya Deputy Editor
• March 20, 2024

John Cena and Zac Efron Talk ‘Ricky Stanicky’
By Jasmine Criqui, Senior Guide Editor
• March 13, 2024

Kung Fu Panda 4 Is More Of The Same, Yet Surprisingly Good
By Ethan Hill, Hoya Staff Writer
• March 13, 2024

Cleanup On Aisle Nine, ‘Argylle’ Is A Mess From Start To Finish
By Ethan Hill, Hoya Staff Writer
• February 14, 2024

‘The Zone of Interest’: Monstrosity in the Mundane
By Andre Albrecht, Hoya Staff Writer
• February 14, 2024

VIEWPOINT: Uplift Female Voices in Media
By Grace Rivers
• January 19, 2024

‘May December’ is Worthy of Its Plaudits
By William McCall
• January 17, 2024

‘Dream Scenario’ is a Compelling Look at the Double-Edged Sword of Fame
By Jasmine Criqui
• November 29, 2023

‘Us’ Critiques Society Using Horror Genre
By Sean Fulmer
• March 28, 2019
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