
‘Chromakopia: The World Tour’: the New Epitome of Live, High-Energy Performances
By Evan Bournazian, Hoya Staff Writer
• April 10, 2025

‘Sweeney Todd: The Demon Barber of Fleet Street’ Bites and Cackles With Joyous Ferality
By Grace Ko, Deputy Guide Editor
• April 10, 2025

Harrowing, ‘Adolescence’ Explores the Cruelty of the Teen Years
By Grace Ko, Deputy Guide Editor
• April 2, 2025

Feeling the Pain? ‘Novocaine’ Is An Average Film With Subpar Action
By Ethan Hill, Hoya Staff Writer
• March 26, 2025

A Thriller with a Heart, ‘Severance’ Season 2 is Stunning Television
By Grace Ko, Guide Deputy Editor
• March 26, 2025

‘The Day the Earth Blew Up’ Is a Welcome Reintroduction to Classic ‘Looney Tunes’
By Francis Rienzo, Guide Deputy Editor
• March 26, 2025

‘The Six Triple Eight’ Serves as a Moving Tribute to Unsung Heroes
By Sophia Tremblay, Hoya Staff Writer
• February 20, 2025

‘Love Hurts’ is More Painful Than a Messy Breakup
By Isabelle Cialone, Guide Deputy Editor
• February 20, 2025

‘Apple Cider Vinegar’: A Sourly Acidic Tale of Wellness and Deception
By Grace Ko, Guide Deputy Editor
• February 20, 2025

“Paddington in Peru” Is Underwhelming But Hardly Unbearable
By Evie Steele, Editor in Chief
• February 19, 2025

The Weeknd May Have Made His Best Work Yet by Studying His Own Fame
By Francis Rienzo, Deputy Guide Editor
• February 17, 2025

Obviously, He Played ‘Not Like Us’
By Evan Bournazian, Hoya Staff Writer
• February 13, 2025
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