DIRECTOR’S CUT: ‘Us’ Loses Its Message in Complex Plot
By Olivia Simon
• April 16, 2019
DIRECTOR’S CUT: ‘Roma’ Dazzles With Deceptively Simple Portrait of Mexico City
By Olivia Simon
• February 4, 2019
DIRECTOR’S CUT: ‘Green Book’ Offers Moving but Imperfectly Crafted Story
By Olivia Simon
• January 22, 2019
DIRECTOR’S CUT: Cooper Captivates With Raw Emotion in ‘A Star Is Born’
By Olivia Simon
• November 29, 2018
DIRECTOR’S CUT: Style Over Substance Spoils ‘Bad Times at the El Royale’
By Olivia Simon
• October 31, 2018
DIRECTOR’S CUT: Chazelle Juxtaposes Intimate with Infinite in ‘First Man’
By Olivia Simon
• October 17, 2018
DIRECTOR’S CUT: ‘A Simple Favor’ Pioneers a New Feminist Noir Subgenre
By Olivia Simon
• October 2, 2018
DIRECTOR’S CUT: Spike Lee Takes Risks in ‘BlacKkKlansman,’ With Mixed Results
By Guide Editor
• September 24, 2018
DIRECTOR’S CUT: ‘Operation Finale’ and the Humanization of Evil
By Guide Editor
• September 5, 2018
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