
‘Megalopolis’: Maximalist Mess or Magnificent Masterpiece?
By Isabelle Cialone, Special to the Hoya
• October 2, 2024

‘Speak No Evil’: Stranger Danger, Why You Should Not Vacation in Remote Locations
By Mauro Mazzariello, Special to the Hoya
• October 2, 2024

Joey King Is Actually a Great Actress. Why Does Netflix Keep Pushing Her Down?
By Apara Chandavarkar, Special to the Hoya
• October 2, 2024

Katy Perry’s “143” is Trying Too Hard
By Francis Rienzo, Hoya Staff Writer
• September 25, 2024

Video Music Awards: Making History or Scandal?
By Caroline Woodward, Deputy Guide Editor
• September 25, 2024

On Your Radar: Eventful Evenings
By Caitlin McBride, Hoya Staff Writer
• September 25, 2024

Dayglow’s Newest Album is Sure to Make Your Day
By Tanvi Gorripati, Deputy Guide Editor
• September 25, 2024

‘The Secret Lives of Mormon Wives’: More Drama Than Religion
By Emily Griffith, Hoya Staff Writer
• September 25, 2024

‘Dancing with the Stars’ Season 33 Premieres With a Big Bang
By Pria Gadkari, Hoya Staff Writer
• September 25, 2024

‘Memoir of a Sparklemuffin’ Weaves an Enthralling Web of Fear, Loss and Love
By Patrick Clapsaddle, Chief Copy Editor
• September 18, 2024

What’s Wrong with ‘What’s Wrong With New York?’ Nothing, as Far as I Can Tell
By Paulina Inglima, Senior Features Editor
• September 18, 2024

As Big as the What? Kendrick Lamar Is What the Culture Is Feeling
By Ethan Hill, Deputy Guide Editor
• September 18, 2024
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