
‘The Day the Earth Blew Up’ Is a Welcome Reintroduction to Classic ‘Looney Tunes’
By Francis Rienzo, Guide Deputy Editor
• March 26, 2025

A Regrettable Rewrite, Disney’s ‘Snow White’
By Tanvi Gorripati, Deputy Guide Editor
• March 25, 2025

‘On Becoming a Guinea Fowl’ Weaves a Heartbreaking Tapestry of the Systemic Silencing of Survivors’ Stories
By Isabelle Cialone, Guide Deputy Editor
• March 25, 2025

Childhood Fantasy Meets the Horrors of Capitalism in the Delightfully Dumb ‘Death of a Unicorn’
By Caroline Woodward, Guide Senior Editor
• March 25, 2025

The Perfectly Charming Absurdity of ‘Mickey 17’
By Grace Ko, Guide Deputy Editor
• March 23, 2025

‘MAYHEM’ Shows Why Lady Gaga is a ‘Perfect Celebrity’ But Succumbs to the ‘Disease’ of Playing it Safe
By Maren Fagan, Executive Editor
• March 19, 2025

‘Opus’ Is a Catastrophic Exploration of the Cult of Celebrity
By Isabelle Cialone, Guide Deputy Editor
• March 19, 2025

All Killer No Filler: ‘MUSIC’ Slaps From Start to End
By Ethan Hill, Hoya Staff Writer
• March 19, 2025

On Your Radar: Building Active Community
By Caitlin McBride, Hoya Staff Writer
• March 19, 2025
March 19, 2025
By Tanvi Gorripati, Guide Deputy Editor
• March 19, 2025

‘All We Imagine As Light’ Is a Triumphant Ode to the Ordinary
By Anandita Agarwal, Guide Columnist
• March 17, 2025

Back In Time: Revisiting the Start of the Film Multiverse Craze with ‘Run Lola Run’
By Evan Bournazian, Hoya Staff Writer
• March 17, 2025
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