
‘The Naked Gun’: Not Another Cop Movie (or How I Remembered Why I Love Liam Neeson)
By Mauro Mazzariello, Hoya Staff Writer
• September 3, 2025

Childhood Fantasy Meets the Horrors of Capitalism in the Delightfully Dumb ‘Death of a Unicorn’
By Caroline Woodward, Guide Senior Editor
• March 25, 2025

GPB Crowns New Funniest Human at Student-Run Comedy Show
By Bridget Galibois, Hoya Staff Writer
• February 27, 2025

From Callbacks to Callouts, ‘SNL 50’ is a Truly Well Done Tribute
By Nora Toscano, Senior News Editor
• February 26, 2025

‘Nobody Wants This’ Charms and Stumbles Its Way to Love
By Grace Ko, Hoya Staff Writer
• October 2, 2024

America is Freedom? No, Says Stand-Up Comedian Lucas Zelnick: ‘America Is Horses’
By Amber Cherry, Senior Guide Editor
• September 18, 2024

Yes, and…Goodbye: GU Improv Sends Off Their Seniors with an Impressive April Show
By Caroline Blakeman, Hoya Staff Writer
• April 24, 2024

‘Problemista’ Is a Carefully Thought-Out, Innovative Comedy
By Abigail Corrao, Hoya Staff Writer
• March 22, 2024

Georgetown’s Funniest Human: New Setting, Same Comedy
By Shelby Flynn, Hoya Staff Writer
• February 28, 2024

Hasan Minhaj Gets Out the Gloves in ‘Off With His Head’
By Saachi Baldwa, Special to The Hoya
• February 28, 2024

‘Get On Your Knees’: A Sharp-Witted Comedic Masterpiece by a Georgetown Graduate
By Elizabethe Bogrette, Deputy Guide Editor
• February 8, 2024

Mike Birbiglia Dives Deep on ‘The Old Man and the Pool’
By Jasmine Criqui
• January 17, 2024
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