
‘On Becoming a Guinea Fowl’ Weaves a Heartbreaking Tapestry of the Systemic Silencing of Survivors’ Stories
By Isabelle Cialone, Guide Deputy Editor
• March 25, 2025

Childhood Fantasy Meets the Horrors of Capitalism in the Delightfully Dumb ‘Death of a Unicorn’
By Caroline Woodward, Guide Senior Editor
• March 25, 2025

‘Presence’ Plays With Perspective But Flops With Fear Factor
By Isabelle Cialone, Guide Deputy Editor
• February 5, 2025

Sundance Film Festival Ushers in an Exciting Year of Film and Television
By Grace Ko, Guide Deputy Editor
• February 5, 2025

Hidden, Silenced Anguish Haunts ‘Small Things Like These’
By Grace Ko, Hoya Staff Writer
• November 14, 2024

“Smile 2” Adds a New, Terrifying Layer to the Franchise
By Francis Rienzo, Hoya Staff Writer
• November 14, 2024

‘Anora’ is a Heart-Wrenching Fairytale of Dizzying Glamor, Heartbreak
By Grace Ko, Hoya Staff Writer
• November 6, 2024

Power, Piety, the Pope: ‘Conclave’ is One of the Best Movies of the Year
By Ethan Hill, Deputy Guide Editor
• November 6, 2024

‘Memoir of a Snail’ Is a Gutting but Glimmeringly Hopeful Tale of Gastropods and Grief
By Isabelle Cialone, Hoya Staff Writer
• November 6, 2024
PHILM AND FILOSOPHY | The Slippery Concept of “Anti-War” Filmmaking
By Luke McMahan, Guide Columnist
• October 24, 2024

‘Reagan’ Doesn’t Tear Down Any Walls With Its Filmmaking
By Ethan Hill, Deputy Guide Editor
• September 12, 2024
AUTEUR SPOTLIGHT | Jane Campion
By Sophia Lu
• November 30, 2023
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