
‘Bridget Jones: Mad About the Boy’: She’s Back and Sadder Than Ever
By Grace Ko, Guide Deputy Editor
• February 27, 2025

‘Nosferatu’: Why You Should Listen To Your Wife And Not Travel for Business
By Mauro Mazzariello, Hoya Staff Writer
• December 4, 2024

‘Gladiator II’ Has Neither Strength Nor Honor
By James Pocchia, Contributing Editor
• December 4, 2024

Why to See ‘Y2K,’ A Nostalgic Ride With a Gory Twist
By Tanvi Gorripati, Deputy Guide Editor
• December 4, 2024

The Wonderful World of ‘Wicked’ Culminates in a Masterful Live Action Adaptation
By Caroline Woodward, Deputy Guide Editor
• November 20, 2024

Friendship, Fantasy Take Flight in the Bleak World of ‘Bird’
By Isabelle Cialone, Hoya Staff Writer
• November 20, 2024

‘A Real Pain’: A Humorously Heartbreaking Exploration of Grief, Family
By Grace Ko, Hoya Staff Writer
• November 20, 2024

‘Heretic’: A Claustrophobic Questioning of Religious Conviction
By Isabelle Cialone, Hoya Staff Writer
• November 13, 2024
On Pessimism: ‘True Detective’ and ‘Taste of Cherry’
By Luke McMahan, Hoya Columnist
• November 8, 2024

‘Megalopolis’: Maximalist Mess or Magnificent Masterpiece?
By Isabelle Cialone, Special to the Hoya
• October 2, 2024

‘Beetlejuice Beetlejuice:’ The Decline of Tim Burton
By Elizabethe Bogrette, Senior Guide Editor
• September 14, 2024

‘Dìdi’: A Nostalgic Y2K Trip Into the Messy, Joyful Years of Adolescence
By Grace Ko, Hoya Staff Writer
• September 4, 2024
Load More Stories