
‘The Six Triple Eight’ Serves as a Moving Tribute to Unsung Heroes
By Sophia Tremblay, Hoya Staff Writer
• February 20, 2025

‘Love Hurts’ is More Painful Than a Messy Breakup
By Isabelle Cialone, Guide Deputy Editor
• February 20, 2025

“Paddington in Peru” Is Underwhelming But Hardly Unbearable
By Evie Steele, Editor in Chief
• February 19, 2025

‘Companion’: Romance and Robots Gone Rogue
By Tanvi Gorripati, Deputy Guide Editor
• February 6, 2025

‘Presence’ Plays With Perspective But Flops With Fear Factor
By Isabelle Cialone, Guide Deputy Editor
• February 5, 2025

Hidden, Silenced Anguish Haunts ‘Small Things Like These’
By Grace Ko, Hoya Staff Writer
• November 14, 2024

‘Anora’ is a Heart-Wrenching Fairytale of Dizzying Glamor, Heartbreak
By Grace Ko, Hoya Staff Writer
• November 6, 2024

Power, Piety, the Pope: ‘Conclave’ is One of the Best Movies of the Year
By Ethan Hill, Deputy Guide Editor
• November 6, 2024

‘Memoir of a Snail’ Is a Gutting but Glimmeringly Hopeful Tale of Gastropods and Grief
By Isabelle Cialone, Hoya Staff Writer
• November 6, 2024

‘We Live In Time’: A Bittersweet Journey Through Love, Laughter, Life’s Fragile Moments
By Ethan Hill, Deputy Guide Editor
• October 24, 2024

Everyone Is Wrong About ‘Joker: Folie à Deux,’ I’m Here To Defend It.
By Ethan Hill, Deputy Guide Editor
• October 24, 2024

‘La Chimera’: An Enchanting Folktale of Archaeology and Love
By Grace Ko, Hoya Staff Writer
• April 17, 2024
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