Federico Fellini’s ‘8 ½’ is the Blueprint
By Francis Rienzo, Deputy Guide Editor
• March 12, 2025
‘Yi Yi’: A Precious Ode to Life
By Grace Ko, Deputy Guide Editor
• March 12, 2025
Simply Stunning: ‘Taste of Cherry’ is the Pinnacle of Minimalist Cinema
By Ethan Hill, Hoya Staff Writer
• March 12, 2025
A Miracle of a Movie, Brazil’s ‘City of God’
By Tanvi Gorripati, Deputy Guide Editor
• March 12, 2025
‘Crocodile Dundee’ Offers a Humorous Glimpse Into the Australian Outback
By Sophia Tremblay, Hoya Staff Writer
• March 12, 2025
‘The Handmaiden’ Remains Seductively Poignant
By Celeste Viana, Hoya Staff Writer
• March 12, 2025
‘La Haine’ Paints a Poignant and Timeless Picture of Police Brutality
By Isabelle Cialone, Deputy Guide Editor
• March 12, 2025
INTRODUCTION | Now More Than Ever, We Should Watch Foreign Films
By Caroline Woodward, Senior Guide Editor
• March 12, 2025
Hoyas in Clearwater: Floridian Sun, Gulf Breeze
By Kate Hwang and Laura Kopec
• March 15, 2024
‘My Neighbor Totoro’: An Ode to Childhood
By Iris Fan, Special to The Hoya
• February 21, 2024
‘Howl’s Moving Castle’ Is Nothing to Howl About
By Tanvi Gorripati, Hoya Staff Writer
• February 21, 2024
‘Princess Mononoke’ Is a Multilayered Miyazaki Masterpiece
By Pria Gadkari, Hoya Staff Writer
• February 21, 2024
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