‘Bugonia’ Is a Beautifully Wild Condemnation of Humanity
By Isabelle Cialone, Guide Deputy Editor
• October 29, 2025
‘Nuremberg’ Finds the Mind Behind the Monster
By Brad Derfner, Hoya Staff Writer
• October 29, 2025
‘Blue Moon’ Is a Masterclass in Character Study
By Eliana Kut, Hoya Staff Writer
• October 29, 2025
Beaches Beware: Mr. Georgetown Returns With a Tropical Shimmy
By Grace Ko, Senior Guide Editor
• October 23, 2025
‘Anemone,’ Is Cinematically Beautiful but Ultimately Underwhelming
By Eliana Kut, Hoya Staff Writer
• October 22, 2025
‘From The Pyre’ is a Fiery Follow-Up Album for The Last Dinner Party
By Isabelle Cialone, Guide Deputy Editor
• October 22, 2025
Tame Impala’s ‘Deadbeat’ is Dead on Arrival
By Juan P. Almanza, Hoya Staff Writer
• October 22, 2025
When Every Second Counts: ‘A House of Dynamite’
By Brad Derfner, Hoya Staff Writer
• October 22, 2025
You’ve Already Seen ‘The Woman in Cabin 10’
By Riya Sundaram, Hoya Staff Writer
• October 22, 2025
In ‘The Life of a Showgirl,’ Swift Sparkles With Love, Dulls With Lyrics
By Maren Fagan, Editor-in-Chief
• October 22, 2025
Lorde Unveils a New Era in D.C., Reconnects with The Anthem in a Vulnerable Performance
By Rosie Garner, Publishing Junior Associate
• October 22, 2025
The Quirky Undead Rise in ‘Shaun of the Dead’
By Grace Ko, Senior Guide Editor
• October 8, 2025
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