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Georgetown University’s Newspaper of Record since 1920

The Hoya
Georgetown University’s Newspaper of Record since 1920

The Hoya
All content by Isabelle Cialone
Joy Xie / The Hoya

‘Scary Movie’: Not Quite Scary, Not Quite Funny

By Isabelle Cialone, Deputy Guide Editor
‘Monty Python and the Holy Grail’ Is Wholly and Absurdly Hilarious

‘Monty Python and the Holy Grail’ Is Wholly and Absurdly Hilarious

By Isabelle Cialone, Deputy Guide Editor
Labor Solidarity Concert Calls for Student-Worker Solidarity Amidst Administration’s GUTS Decision-Making

Labor Solidarity Concert Calls for Student-Worker Solidarity Amidst Administration’s GUTS Decision-Making

By Isabelle Cialone, Deputy Guide Editor
@georgetownuniversity, @gujackbulldog

On Your Radar: Hoya Homecoming!

By Isabelle Cialone, Guide Deputy Editor
@visitwashingtondc

On Your Radar: Music, Mugs and Movies!

By Isabelle Cialone, Guide Deputy Editor
IMDB

“One Battle After Another” Is a Fearless Cry for Resistance

By Isabelle Cialone, Guide Deputy Editor

September 17, 2025

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘Caught Stealing’ Is a Fun Clash of Crime and Comedy

By Isabelle Cialone, Guide Deputy Editor

September 12, 2025

By Isabelle Cialone, Guide Deputy Editor
@bigthiefmusic

‘Double Infinity’: Big Thief Embraces Their Same Emotional Rawness With a New Sound

By Isabelle Cialone, Guide Deputy Editor
@gujackbulldog

On Your Radar: Welcome Home, Hoyas!

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘Eddington’ is a Cluttered and Hollow Echo of 2020 Politics

By Isabelle Cialone, Guide Deputy Editor
IMDB

The Festival de Cannes Announces Its Official Selection

By Isabelle Cialone, Guide Deputy Editor
@blackcountrynewroad

‘Forever Howlong’ is a Successful Step in a New Direction for Black Country, New Road

By Isabelle Cialone, Deputy Guide Editor
@nomadictheatre

‘Ghosts: A Family Tragedy’ Is a Haunting Tale of Family Duty, Deception, Devotion

By Isabelle Cialone, Guide Deputy Editor
IMBD

‘On Becoming a Guinea Fowl’ Weaves a Heartbreaking Tapestry of the Systemic Silencing of Survivors’ Stories

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘Opus’ Is a Catastrophic Exploration of the Cult of Celebrity

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘La Haine’ Paints a Poignant and Timeless Picture of Police Brutality

By Isabelle Cialone, Deputy Guide Editor
@ledzeppelin

‘Becoming Led Zeppelin’ Explores the Birth of the Greatest Rock ’n’ Roll Band to Ever Exist

By Isabelle Cialone, Guide Deputy Editor
By Alessia Viscusi

Mask and Bauble’s One-Acts Festival Highlights Hoyas’ Theatrical Genius

By Isabelle Cialone, Guide Deputy Editor
By Linsey Brookfield

‘Love Hurts’ is More Painful Than a Messy Breakup

By Isabelle Cialone, Guide Deputy Editor
Isabelle Cialone

Cherry Tree Massacre Showcases Students’ Sensational Singing Skills

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘Presence’ Plays With Perspective But Flops With Fear Factor

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘Mufasa: The Lion King’ Is Unnecessary, Unsatisfactory and Annoying

By Isabelle Cialone, Guide Deputy Editor
IMDB

‘The Brutalist:’ Mammoth of a Movie; Microcosm of Brutal Reality

By Isabelle Cialone, Hoya Staff Writer
IMDB

Friendship, Fantasy Take Flight in the Bleak World of ‘Bird’

By Isabelle Cialone, Hoya Staff Writer
IMDB

‘Heretic’: A Claustrophobic Questioning of Religious Conviction

By Isabelle Cialone, Hoya Staff Writer
IMDB

‘Memoir of a Snail’ Is a Gutting but Glimmeringly Hopeful Tale of Gastropods and Grief

By Isabelle Cialone, Hoya Staff Writer
IMDB

‘The Substance’ May Lack Substance, But It Succeeds in Diagnosing Society’s Nauseating Addiction to Beauty Standards

By Isabelle Cialone, Hoya Staff Writer

Is ‘Bram Stoker’s Dracula’ Really His Bloodlusting Beast or Does Coppola Craft His Own Carnal Creature?

By Isabelle Cialone, Hoya Staff Writer
IMDB

‘Megalopolis’: Maximalist Mess or Magnificent Masterpiece?

By Isabelle Cialone, Special to the Hoya
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